corelli/CITATION.cff at main · DCMLab/corelli · GitHub

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cff-version: 1.2.0
message: "Please cite this dataset using the metadata from 'preferred-citation'."
title: "Arcangelo Corelli - Trio Sonatas (A corpus of annotated scores)"
type: dataset
abstract: >-
  <jats:p>This corpus of annotated MuseScore files has been created within the
  DCML corpus initiative and employs the DCML harmony annotation standard. It
  comprises 36 Sonate a tre, divided into 149 separate movements. Together they
  make up for three of the four famous cycles of 12 trio sonatas each. The
  corpus was relased together with and as part of the "workflow paper"
  https://doi.org/10.5281/zenodo.5624417</jats:p>
url: https://zenodo.org/doi/10.5281/zenodo.7504011
repository: https://github.com/DCMLab/corelli
identifiers:
  - type: doi
    value: 10.5281/zenodo.7504011
  - type: url
    value: https://zenodo.org/doi/10.5281/zenodo.7504011
authors:
    - given-names: Johannes
      family-names: Hentschel
      email: johannes.hentschel@bruckneruni.at
      affiliation: "Anton Bruckner University Linz"
      orcid: "https://orcid.org/0000-0002-1986-9545"
    - given-names: "Fabian C."
      family-names: Moss
      email: fabian.moss@uni-wuerzburg.de
      affiliation: "Julius-Maximilians-Universität Würzburg"
      orcid: "https://orcid.org/0000-0001-9377-2066"
    - given-names: Markus
      family-names: Neuwirth
      email: markus.neuwirth@bruckneruni.at
      affiliation: "Anton Bruckner University Linz"
      orcid: "https://orcid.org/0000-0003-1990-052X"
    - given-names: Martin
      family-names: Rohrmeier
      email: martin.rohrmeier@epfl.ch
      affiliation: "École Polytechnique Fédérale de Lausanne"
      orcid: "https://orcid.org/0000-0002-4323-7257"
version: v2.5
date-released: 2025-04-27
keywords:
  - "expert-annotated dataset"
  - "tonal harmony"
  - "music research"
  - "music theory"
  - "music analysis"
  - "music history"
  - "corpus studies"
  - "corpora"
  - "symbolic dataset"
  - "scores"
  - "annotated dataset"
  - "harmony"
  - "key annotations"
  - "chord annotations"
  - "phrase annotations"
  - "cadence annotations"
  - "trio sonatas"
  - "chamber music"
  - "17th century"
license: "CC-BY-NC-4.0"
preferred-citation:
  authors:
    - given-names: Johannes
      family-names: Hentschel
      email: johannes.hentschel@bruckneruni.at
      affiliation: "Anton Bruckner University Linz"
      orcid: "https://orcid.org/0000-0002-1986-9545"
    - given-names: "Fabian C."
      family-names: Moss
      email: fabian.moss@uni-wuerzburg.de
      affiliation: "Julius-Maximilians-Universität Würzburg"
      orcid: "https://orcid.org/0000-0001-9377-2066"
    - given-names: Markus
      family-names: Neuwirth
      email: markus.neuwirth@bruckneruni.at
      affiliation: "Anton Bruckner University Linz"
      orcid: "https://orcid.org/0000-0003-1990-052X"
    - given-names: Martin
      family-names: Rohrmeier
      email: martin.rohrmeier@epfl.ch
      affiliation: "École Polytechnique Fédérale de Lausanne"
      orcid: "https://orcid.org/0000-0002-4323-7257"
  title: "A semi-automated workflow paradigm for the distributed creation and curation of expert annotations"
  doi: 10.5281/zenodo.5624417
  url: https://zenodo.org/doi/10.5281/zenodo.5624417
  identifiers:
    - type: doi
      value: 10.5281/zenodo.5624417
    - type: url
      value: https://zenodo.org/doi/10.5281/zenodo.5624417
  type: conference-paper
  collection-title: "Proceedings of the 22nd International Society for Music Information Retrieval Conference"
  collection-type: "proceedings"
  collection-doi: 10.5281/zenodo.5776687
  year: 2021
  month: 11
  start: 262
  end: 269
  pages: 8
  abstract: >-
    <jats:p>The creation and curation of labeled datasets can be an arduous,
    expensive, and time-consuming task. We introduce a workflow paradigm for remote
    consensus-building between expert annotators, while considerably reducing
    the associated administrative overhead through automation. Most music
    annotation tasks rely heavily on human interpretation and therefore defy the
    concept of an objective and indisputable ground truth. Thus, our paradigm
    invites and documents inter-annotator controversy based on a transparent set
    of analytical criteria, and aims at putting forth the consensual solutions
    emerging from such deliberations. The workflow that we suggest traces the
    entire genesis of annotation data, including the relevant discussions
    between annotators, reviewers, and curators. It adopts a well-proven pattern
    from collaborative software development, namely distributed version control,
    and allows for the automation of repetitive maintenance tasks, such as
    validity checks, message dispatch, or updates of meta- and paradata. To
    demonstrate the workflow's effectiveness, we introduce one possible
    implementation through GitHub Actions and showcase its success in creating
    cadence, phrase, and harmony annotations for a corpus of 36 trio sonatas by
    Arcangelo Corelli. Both code and annotated scores are freely available and
    the implementation can be readily used in and adapted for other MIR
    projects.</jats:p>